SHOOTING IN MANUAL MODE
by Kyle Jenkins
Welcome to the second installment in our Essential Tips to Great Outdoor Photography. This three-part series is meant to help anyone wanting to become a better outdoor photographer. Last time we talked about timing, composition and inspiration. In this article we explore using a D-SLR or pro-level mirrorless camera on manual mode to fully control your creative expression.
When I was first learning about photography, it helped to think of the camera as a mechanical eye, which is essentially what the technology is trying to mimic. Relating the features of our eyes to the controls on the camera can make the concepts less foreign. In this comparison, a camera’s aperture is like a pupil that dilates and contracts depending on light levels, and the shutter is like an eyelid that opens and closes to control the light that reaches the pupil. Just as your pupils will contract and your eyelids will instinctively shut when you look toward the sun, so you will have to use a quick shutter speed and a small aperture when shooting in bright conditions. In low light, on the other hand, keeping your shutter open longer and using a dilated aperture will allow as much light as possible to reach the sensor. Once you learn to control these two variables and gain an understanding of ISO, you can take just about any photo you like.
Continue reading “OUTDOOR PHOTOGRAPHY PART II”
Krishna & Bunga same day edit by Johanes Dharmawan
Videography: The Leonardi Team
Make Up: Adele
Dress: Yumika Tsurai
MC: Emil Eriyanto – MKE
WO: Multi Kreasi Enterprise
Location: Ritz Carlton Kuningan, Jakarta
Love has no other desire but to fulfill itself.
But if you love and must needs have desires, let these be your desires:
To melt and be like a running brook that sings its melody to the night.
To know the pain of too much tenderness.
To be wounded by your own understanding of love;
And to bleed willingly and joyfully.
To wake at dawn with a winged heart and give thanks for another day of loving;
To rest at the noon hour and meditate love’s ecstasy;
To return home at eventide with gratitude;
And then to sleep with a prayer for the beloved in your heart and a song of praise on your lips.
by Kahil Gibran
1. STORIES HAVE POWER
Outside the air we breathe and the blood in our bodies, the one thing that connects us modern humans today with the shamans and emperors and serfs and alien astronauts of our past is a heritage — a lineage — of stories. Stories move the world at the same time they explain our place in it. They help us understand ourselves and those near to us. Never treat a story as a shallow, wan little thing. A good story is as powerful as the bullet fired from an assassin’s gun.
2. EFFECT ABOVE ENTERTAINMENT
We love to be entertained. Bread and circuses! Clowns and monkeys! Decapitations and ice cream! A good story entertains but a great story knows that it has in its arsenal the ability to do so much more. The best stories make us feel something. They fuck with our emotions. They make us give a flying fuck about characters and places and concepts that don’t exist and won’t ever exist. The way a story stabs us with sadness, harangues us with happiness, runs us through the gauntlet of rage and jealousy and denial and underoo-shellacking lust and fear (together, lust and fear may stir a “scaredy-boner”) is parallel to none. Anybody can entertain. A juggler entertains. A storyteller makes us feel something. Makes us give a shit when we have no good reason to do so. Fun is not the last stop on the story train. The storyteller is master manipulator. The storyteller is cackling puppetmaster.
Continue reading “25 Things You Should Know About Storytelling”