OUTDOOR PHOTOGRAPHY PART II

SHOOTING IN MANUAL MODE

by Kyle Jenkins

Welcome to the second installment in our Essential Tips to Great Outdoor Photography. This three-part series is meant to help anyone wanting to become a better outdoor photographer. Last time we talked about timing, composition and inspiration. In this article we explore using a D-SLR or pro-level mirrorless camera on manual mode to fully control your creative expression.

When I was first learning about photography, it helped to think of the camera as a mechanical eye, which is essentially what the technology is trying to mimic. Relating the features of our eyes to the controls on the camera can make the concepts less foreign. In this comparison, a camera’s aperture is like a pupil that dilates and contracts depending on light levels, and the shutter is like an eyelid that opens and closes to control the light that reaches the pupil. Just as your pupils will contract and your eyelids will instinctively shut when you look toward the sun, so you will have to use a quick shutter speed and a small aperture when shooting in bright conditions. In low light, on the other hand, keeping your shutter open longer and using a dilated aperture will allow as much light as possible to reach the sensor. Once you learn to control these two variables and gain an understanding of ISO, you can take just about any photo you like.

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OUTDOOR PHOTOGRAPHY PART I

TIMING, COMPOSITING, & INSPIRATION

by Kyle Jenkins

Recent advances in digital technology have allowed us to bring small, powerful and durable devices deeper into the wild than ever before. We can capture places and moments that might have been too remote or dangerous to lug around a large format camera and heavy wooden tripod. Today we might not be as technically skilled or nearly as patient as the masters of old such as Ansel Adams, but we do get the opportunity to take some phenomenal shots that simply were not possible a hundred years ago.

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Woman Photographer

Women in Photography: 34 Voices From Around the World

As one of this year’s jurors for World Press Photo, I was stunned to learn that over the last ten years, the number of female entrants to the World Press Photo Contest has hovered around 15% (it remained at 15.5% in 2017).

March is Women’s History Month and in the current political and social climate, it’s never been more critical for us to have a woman’s visual perspective.

TIME reached out globally to the most acclaimed female photojournalists, curators and directors of photography in the industry, asking them to select one female photojournalist that they believe is worthy of recognition. The result is an astonishing collection of brilliant work from around the world. For me, this list includes many photojournalists I have never known, was delighted to learn about and excited to get to know more.

Here’s their list of 34 women photographers to follow right now.

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Winners of Wildlife Photographer of the Year 2016

The jury selected the best works from 50,000 submissions.

The jury of the international Wildlife Photographer of the Year contest, held with the support of the Natural History Museum in London, named the best photographs of 2016, PetaPixel reports.

Tim Laman became Wildlife Photographer of the Year for his work Entwined Lives, showing an orangutan up the tree in the Indonesian part of Borneo. This photograph was selected from over 50,000 submissions sent by participants from 95 countries from all over the world.

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Krishna & Bunga Weddingclip

Krishna & Bunga same day edit by Johanes Dharmawan

Videography: The Leonardi Team
Make Up: Adele
Dress: Yumika Tsurai
Decor: Nefi
MC: Emil Eriyanto – MKE
WO: Multi Kreasi Enterprise
Location: Ritz Carlton Kuningan, Jakarta

The Prophet

Love has no other desire but to fulfill itself.

But if you love and must needs have desires, let these be your desires:
To melt and be like a running brook that sings its melody to the night.

To know the pain of too much tenderness.

To be wounded by your own understanding of love;
And to bleed willingly and joyfully.

To wake at dawn with a winged heart and give thanks for another day of loving;
To rest at the noon hour and meditate love’s ecstasy;
To return home at eventide with gratitude;
And then to sleep with a prayer for the beloved in your heart and a song of praise on your lips.

by Kahil Gibran