OUTDOOR PHOTOGRAPHY PART II

SHOOTING IN MANUAL MODE

by Kyle Jenkins

Welcome to the second installment in our Essential Tips to Great Outdoor Photography. This three-part series is meant to help anyone wanting to become a better outdoor photographer. Last time we talked about timing, composition and inspiration. In this article we explore using a D-SLR or pro-level mirrorless camera on manual mode to fully control your creative expression.

When I was first learning about photography, it helped to think of the camera as a mechanical eye, which is essentially what the technology is trying to mimic. Relating the features of our eyes to the controls on the camera can make the concepts less foreign. In this comparison, a camera’s aperture is like a pupil that dilates and contracts depending on light levels, and the shutter is like an eyelid that opens and closes to control the light that reaches the pupil. Just as your pupils will contract and your eyelids will instinctively shut when you look toward the sun, so you will have to use a quick shutter speed and a small aperture when shooting in bright conditions. In low light, on the other hand, keeping your shutter open longer and using a dilated aperture will allow as much light as possible to reach the sensor. Once you learn to control these two variables and gain an understanding of ISO, you can take just about any photo you like.

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OUTDOOR PHOTOGRAPHY PART I

TIMING, COMPOSITING, & INSPIRATION

by Kyle Jenkins

Recent advances in digital technology have allowed us to bring small, powerful and durable devices deeper into the wild than ever before. We can capture places and moments that might have been too remote or dangerous to lug around a large format camera and heavy wooden tripod. Today we might not be as technically skilled or nearly as patient as the masters of old such as Ansel Adams, but we do get the opportunity to take some phenomenal shots that simply were not possible a hundred years ago.

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Woman Photographer

Women in Photography: 34 Voices From Around the World

As one of this year’s jurors for World Press Photo, I was stunned to learn that over the last ten years, the number of female entrants to the World Press Photo Contest has hovered around 15% (it remained at 15.5% in 2017).

March is Women’s History Month and in the current political and social climate, it’s never been more critical for us to have a woman’s visual perspective.

TIME reached out globally to the most acclaimed female photojournalists, curators and directors of photography in the industry, asking them to select one female photojournalist that they believe is worthy of recognition. The result is an astonishing collection of brilliant work from around the world. For me, this list includes many photojournalists I have never known, was delighted to learn about and excited to get to know more.

Here’s their list of 34 women photographers to follow right now.

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Beginner wedding photographer mistakes

10 wedding photography mistakes every beginner will make (and how to get better)

By Angela Nicholson

Shooting a wedding is one of the toughest assignments that a photographer can take on, there are lots of potential issues and the stakes are incredibly high. To help out, our head of testing, Angela Nicholson, has compiled a list of the most common wedding photography mistakes that photographers make when starting out shooting weddings, along with some of her best wedding photography tips for how to avoid them.

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TIPS & TRICK PHOTO BABY

Sering sekali kita melihat photo2 baby yang lucu dan menarik yang diphoto oleh photographer handal, memang sangat sulit untuk menghasilkan sebuah photo khususnya photo baby yang sangat baik mengingat kalau seorang bayi itu blom bisa berbicara, jadi gimana caranya agar kita bisa motret anak kita yang masih bayi dengan hasil yang cukup baik dan terlihat seperti proffesional hanya dengan mengandalkan kamera poket atau mirrorless yang umum dimiliki oleh semua orang.

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